If you’re interested in direction, Chicago presents something a little different. A lot happens just behind the band; if you look to the sides of the stage, the players sit in chairs waiting to come on, adding to the modern cabaret feel of the show.
| ROXIE HART | Ruthie Henshall |
| VELMA KELLY | Anna Jane Casey |
| BILLY FLYNN | Terence Maynard |
| MAMA MORTON | Jasnan Ivir |
| AMOS HART | Adam Stafford |
| MARY SUNSHINE | A.Ellis |
| LIZ | Vivien Carter |
| ANNIE | Alexis Owen-Hobbs |
| FRED CASELY | Joshua Lacey |
| GO-TO-HELL KITTY | Lisa Norman |
*Please note that Ruthie Henshall will perform the role of Roxie Hartuntil the 17th April 2010.
**Ruthie Henshall will not performon the 23rd March 2010.
Cambridge Theatre
The auditorium is on three levels: Stalls, Dress Circle and Upper Circle. As can be seen in the seating plan below, the Stalls bottleneck towards the front offering good central views of the stage. The Dress Circle is set high above the Stalls meaning the rows to the rear are unaffected by overhang restrictions. Similarly, the Upper Circle is set high above the Dress Circle, meaning views in the Dress Circle are unobstructed throughout. Overall, the views from the Stalls and Dress Circle are excellent. The Upper Circle is set higher than most theatres and quite far back from the stage. Sightlines from the front two rows of the Upper Circle are affected by a handrail (rows A and B). A gangway splits the Upper Circle across the middle with another handrail affecting views from row G. Otherwise, sightlines in the Upper Circle are clear.
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26th January 2010
Guest187
Brilliant musical!